"Chord Voicing + Licks & Runs"
You *Definitely* Don't Have
Problems Playing The Same Boring Chords.
Problems Playing The Same Boring Chords.
Let me explain. Problems playing the same boring chords isn't the issue... it's theory problems.
It's pattern problems. And it's how you practice problems.
So if you've ever tried to just sit at a piano and play with some SOUL and just defaulted to the boring chords you always play...you have a fixable problem... even though it looks and feels like you're stuck.
So allow me to run you through a few small questions and scenarios:
It's pattern problems. And it's how you practice problems.
So if you've ever tried to just sit at a piano and play with some SOUL and just defaulted to the boring chords you always play...you have a fixable problem... even though it looks and feels like you're stuck.
So allow me to run you through a few small questions and scenarios:
If you answered NO to any of these questions, I'll triple guarantee your problems playing the same chords is coming from a poor perception of music and HOW to memorize simple theory to get un-stuck...
The Answer?
3. Little. Shifts.
3. Little. Shifts.
But *DON'T* Practice The Wrong One
But *DON'T* Practice The Wrong One
See, depending on how long you've been playing...
It's make or break.
ESPECIALLY since you're most likely feeling discouraged with your piano progress already.
It's simple. I want you to implement these into your practice:
See, depending on how long you've been playing...
It's make or break.
ESPECIALLY since you're most likely feeling discouraged with your piano progress already.
It's simple. I want you to implement these into your practice:
It's make or break.
ESPECIALLY since you're most likely feeling discouraged with your piano progress already.
It's simple. I want you to implement these into your practice:
In fact, if you could practice each of these 3 little areas for just one minute each, you'd 10x the speed of your results. I've tested it with students.
And the crazy thing is, classical training doesn't touch on any of these areas.
In fact, if you could practice each of these 3 little areas for just one minute each, you'd 10x the speed of your results. I've tested it with students.
And the crazy thing is, classical training doesn't touch on any of these areas.
And the crazy thing is, classical training doesn't touch on any of these areas.
But,
But,
Who Am I & Why Should You Even Be Listening To Me?
Who Am I & Why Should You Even Be Listening To Me?
The Answer?
To Break Away From The Same Boring Chords You Play, You Need To Learn Simple Chord Theory, And Spend Time Actually Memorizing Nik's Signature Patterns...
To Break Away From The Same Boring Chords You Play, You Need To Learn Simple Chord Theory, And Spend Time Actually Memorizing Nik's Signature Patterns...
So Here's What I've Put Together For You...
So Here's What I've Put Together For You...
Course Outline
"If you question whether it is the right course for you, question no more and sign up. "
Todd Roberts
VERIFIED REVIEW
"I can recommend Nik's mentoring with a clear conscience. There is something for everybody. "
Bianka Söder
VERIFIED REVIEW
"I find the learning method excellent because it is based on patterns and ideas that can be applied in different songs and situations"
Luc Lyn
VERIFIED REVIEW
"...a custom route for you to quickly reach your goal without wasting your time on things that you don’t need."
Christina Lee
VERIFIED REVIEW
"My experience with most music teachers is they would rather be doing something else. Nik's work is an absolute breath of fresh air. I have been at this just long enough to understand where he is going, and his approach is thoughtful, beautifully presented, and a welcome treat to a player stuck in the mud! Thank you Nik!"
How I Created My Lessons
Early into my teaching career, I discovered that traditional piano curriculum does not teach adults how to flow, improvise, and play freely.
So, at 15 years old, I set on a mission to develop my own curriculum for my 48 adult weekly students. First, I reverse engineered how I played. What made people like my playing? How did I give my music feeling?
After many years of paying attention to what I was actually doing when I played, I was fortunate enough to crack the code. So, I developed unique exercises and tested out methods to help adults work up to eventually sounding like me. And the crazy thing is, it worked!
So, I recorded this video course to share with the world. 5,000+ adults have used my Fundamentals of Jazz, Blues & Gospel course successfully to playing with a soulful sound. I hope you'll join us!
So, at 15 years old, I set on a mission to develop my own curriculum for my 48 adult weekly students. First, I reverse engineered how I played. What made people like my playing? How did I give my music feeling?
After many years of paying attention to what I was actually doing when I played, I was fortunate enough to crack the code. So, I developed unique exercises and tested out methods to help adults work up to eventually sounding like me. And the crazy thing is, it worked!
So, I recorded this video course to share with the world. 5,000+ adults have used my Fundamentals of Jazz, Blues & Gospel course successfully to playing with a soulful sound. I hope you'll join us!
"The Fundamentals of Jazz, Blues & Gospel"
Over 325 minutes of pure soulful piano tutorials and application videos to help you understand how to apply what you learn to your playing
Beginner, intermediate & advanced video application of how I use passing tones in "Georgia" by Ray Charles
Discover specific Gospel movements I use LIVE in Church [Phase 2]
Master reharmonization as I guide you through different variations of "Twinkle Twinkle Little Star" in the key of C major [Phase 2]
Apply what you learn to "Amazing Grace" + learn tasty licks and runs I use often in my playing
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